Friday, June 1, 2012

My Top 10 Favorite (Independent) Films

I just realized that I haven't written a blog post in a long time!  This is what graduate school and a full-time job does to you:  distances you from society.  Its so great to be writing again!


Its taken me a long time to curate this list.  As my readership is extremely important to me, I wanted to ensure that this list contain films that are important to our culture and the independent film industry.  As I am a strong supporter of the independent artist and their "hustle," its not out of the ordinary that my favorite films happen to be those that first appeared in art houses.  Yes, I really enjoyed the recently released The Avengers, this summer's blockbuster...it was directed by Joss Whedon at least ;)

1.  Secretary, dir. Steven Shainberg, 2002, United States

What don't I like about this movie?!  Amazing performances.  Steaming, hot love story.  AND S&M!!!!  Maggie Gyllenhaal and James Spader's performances are amazing!  But, the most important reason why I love this movie is because, unlike the traditional romance film, neither person of the couple changes for the other.  Instead, these characters found someone who compliments their "styles." 

2.  Pulp Fiction, dir. Quentin Tarentino, 1994, United States

I was 21 years old, a recent college graduate, when I first saw this movie.  And guess what?  One of my now favorite films, I absolutely HATED at the time when I first viewed it.  Why?  Maybe because I fell asleep at the very beginning of it and then woke up during the scene where Mrs. Mia Wallace (played by Uma Thurman) receives an adrenaline shot to the heart following a mistaken cocaine overdose.  It took an ex-lover (one who shall remain nameless because we no longer speak to each other) years later to ignite my passion for both this movie and almost all of Quentin Tarantino's films.  I now own almost all of his movies. 

3.  Malcolm X, dir. Spike Lee, 1992, United States

I've been professing this on my self-designated soap box since I first watched this film:  Denzel Washington deserved the Academy Award for this role rather than for Training Day!  To play such a complex, historical figure over a span of a lifetime (well, almost a lifetime) is a huge task to accomplish.  I first saw this film during an all-school field trip to the movie theatre.  I'm from Detroit and was fortunate to grow up in a positive Afrocentric school system, one that taught us about the contributions of African-Americans to American culture and history from kindergarten to high school (it was through my elementary school where I first watched the mini-series Roots).  My favorite part in this film is when Malcolm X visits Mecca.  The voiceover of the letter home to his family and then watching him pray still gives me chills!  This is a film that I can watch over and over again, for I gain a different perspective on both Malcolm X's life and also Spike Lee's filmmaking techniques. The other thing that I admire about this film is the hustle that Lee had to undertake in order to finish this film.

4.  Vicky Cristina Barcelona, dir. Woody Allen, 2008, United States

Javier Bardem and Penelope Cruz = too much sexiness in one film!  Unlike the other films on this list, I can't remember when I first saw this film.  However, I can tell you how many times I've watched it since buying it on DVD recently!  If I were to ever curate a film festival of movies about Americans Abroad, this would be the film to open the festival!  There's so much to love in this film, including Penelope Cruz's Academy Award-winning performance and the cinematography!  The vast portraits of Spain's landscape are so beautiful (I think that it helps to have the Spanish cinematographer, Javier Aguirresarobe, work on this film).  And Penelope Cruz looks stunning throughout the entire movie, including during her numerous fits of rage.  This is the film that percolated my interested in Woody Allen.

5.  Biutiful, dir. Alejandro González Iñárritu, 2008-2009, Spain


This is one of the many films that I've seen at Amherst Cinema, and one of the films on this list where I couldn't stop crying (I advise to never see a film that's a tear-jerker in the trailer by yourself).  Another film starring Javier Bardem, Biutiful is a story about a terminally-ill father who tries to correct all of his wrongs while he's still alive.  Bardem was nominated for the Academy Award for Best Actor for his role in this film, becoming the first performance that's entirely performed in Spanish to earn this nomination.  The cinematography and the dialogue are amazing in this film.  I highly recommend renting this movie.  Just make sure to have plenty of tissues handy.

6.  Departures, dir. Yōjirō Takita, 2008, Japan

Another film that I saw at Amherst Cinema, I've only seen this film once but remember it vividly.  Its another film that you need a couple of boxes of tissues prepared prior to viewing.  Though I don't want to spoil the plot, I wanted to give a little bit of insight into what its about.  The protagonist, a professional cellist, lost his job with the country's symphony orchestra.  Recently married and with a baby on the way, he needed to find a source of income.  Responding to a newspaper ad, he interviews and scores a job with a departures agency.  Thinking that it was a travel agency, it takes him some time to get adjusted to this line of work.  This agency specializes in preparing the deceased for burial.  Unlike its American counterpart, this Japanese film captures grief in a way that western movies probably could never accomplish due to how our society deals with emotion.  Be prepared to cry throughout 3/4s of the movie.

7.  Little Miss Sunshine, dir. Jonathan Dayton & Valerie Faris, 2006, United States

I hope that everyone has seen this film by now!  It plays regularly on basic cable and is available on Netflix.  What isn't to like about this film?!  I would talk more about the plot but I would be giving the entire movie away.  I recommend watching this movie prior to any others on this list!

8.  Election, dir. Alexander Payne, 1999, United States

I remember when I first heard about and saw this movie.  The VHS (yes, this was WAY back in the day) was on sale for $5 at the local brick and mortar video rental place in the neighborhood where I grew up.  I bought it in 2000 and I still own it!  Well, my parents have it, along with many of the films I collected while I was living at "home."  This film, a satire about a high schooler running for student body president, introduced me to Reese Witherspoon (who I loved in Legally Blonde...yes, I'll admit to not only seeing this film multiple times but also to really liking it).  Election offers a unique critique of suburbia, politics, and teenage culture.


9.  Brown Sugar, dir. Rick Famuyiwa, 2002, United States

The soundtrack!  The soundtrack! The soundtrack!  Its SO GOOD!  I was recently introduced to this film by one of my closest friends.  The soundtrack (yes, its that good) brought back some fond memories.  From Jill Scott to Erykah Badu to Mos Def to the Roots, this film's soundtrack reminded me how amazing the music of the late 1990s to early 2000s was to both me and African-American culture.  This is one of a long list of films where the gorgeous and multi-talented Sanaa Lathan plays the protagonist and romantic interest.  Get ready...there's a steamy love scene in this one!  This is a film that can be watched with friends and with significant others!

10.  Eve's Bayou, dir. Kasi Lemmons, 1997, United States

This is the only film on the list that I was introduced to via a class.  It was the Spring of 2009 when I took a graduate-level film class, Black Female Image in Cinema...a class that changed my entire career trajectory.  In this class, we talked about films made by black women and also films made featuring black female characters.  Of course, filmmaker Kasi Lemmons (Eve's Bayou is her directorial debut) had to be on the syllabus.  This film is so important that it made it onto Time Magazine's list of The 25 Most Important Films on RaceFrom its opening voiceover, its easy to note the importance of this film and its impact on our culture.

Being the cultural critic that I am, I want to note that there are not too many women on this list.  Unfortunately, there are not too many women film directors out there.  Better yet, there are not too many female theatre directors, female playwrights, female film, television, and theatre producers out there.  There are too few women at the head of the creative process.  As a female writer and arts administrator, I think that its beyond time for us to assume positions at the head of the table, both in commercial and independent art-making circles.  Kathryn Bigelow, director of the film The Hurt Locker (2008), became the first woman to receive an Academy Award for Best Director.  This was in 2009!  Though I haven't seen this film yet, I've definitely added it to the list of films to watch because it is important to support those who are breaking barriers, quite like the films on this list. I also want to add to this list the new television series Scandal, created by Shonda Rhimes and starring Kerry Washington.  When was the last time a television series featured an African-American woman in a lead role?  Nuff said.  I haven't seen Scandal yet, but trust that over the next couple of months that I'll get caught up on the series.

Over the summer, I will be working on a post containing a list of female artmakers who we need to support.  Be on the lookout for it!

There's also many independent films that did not make this list.  It is simply because I haven't seen a lot of other important films of the industry yet (i.e., Do the Right Thing, a film that I'll be watching in a couple of days).  I hope that as I add to my own personal DVD collection that this list will only expand.


Thursday, March 22, 2012

PARIAH: Every Teen's Story

Adepero Oduye  as Alike in "Pariah" (2011)
I am so excited that I can finally say that I've seen the critically-acclaimed film Pariah!  It's been playing at Pleasant Street Theater in Northampton, MA for the past week and a half and has been playing in selected theaters nationwide since December of 2011.  Thanks to Out for Reel LGBT Film Series and Amherst Cinema/Pleasant Street Theater for bringing this important film to our area.

I advise that everyone, teenagers, parents, teachers, mentors, siblings, anyone who has been a teenager (practically everyone) to see this film.  Coined as a coming of age story about a black queer teenager, I am confident that everyone will connect to this film.  The protagonist, Alike (Adepero Oduye), begins to navigate cultural politics associated with her sexual identity and negotiates the stakes of important relationships, including those with her parents (played by Kim Wayans and Charles Parnell), her best friend, Laura (Pernell Walker), and her poetry.  Just like everyone young and old, she's trying to find out where she fits in the world:  the reality of humanity.

By the way, I want to congratulate Kim Wayans (of "In Living Color" and comedic notoriety) for a successful job as a dramatic actress!  She was amazing in this film and I look forward to seeing her in other dramatic roles in the near future.

Instead of me writing extensively on this film, I'd rather encourage all readers to go and see it soon.  For those in Western Massachusetts, it is scheduled to continue playing until sometime this weekend.  Please visit Amherst Cinema/Pleasant Street Theater's website for information on show times and ticket prices.  I've included the trailer below.  Please encourage others to see it.  Better yet, arrange to see it with friends.  And, after watching the film, please go out afterwards to discuss the film.  I'll bet that you all will relate to many of the issues raised in Pariah.

Thanks to Dee Rees, director and writer of Pariah, for bringing us such an amazing story, one that I hope will begin necessary conversations on how to ensure that today's young people become the best citizens they can be, living their best lives.


Saturday, March 3, 2012

Noon in America

Last night, I finally got a chance to watch Woody Allen's latest film Midnight in Paris (2011).  A story I can relate to, the film situates around a screenwriter, Gil (played by Owen Wilson) who, while in Paris, discovers the flaws in his relationship with his fiancee (played by Rachel McAdams) yet becomes comfortable in his newest endeavor as a novelist.  At the stroke of midnight among several nights, the protagonist is taken back to the 1920s, mingling with expats such as Getrude Stein, F. Scott Fitzgerald, and Ernest Hemingway, writers who discover a little bit of themselves away from their home country of the United States.  Though sleeping through the first 20 minutes, I found myself enthralled in this story as it sounds a lot like my own (well, minus the "fiance/e" part).  I'm at this crossroads with my writing, attempting to find paying gigs and trying to make writing the main source of my income.  I just need the courage to just go out there and do it, but would appreciate some writers that I admire to lead me along the way.

One thing I kept thinking about while watching this movie is what it would look like if it were me in the central role.  Yes, I know its egotistical, but who hasn't want to star in a movie about themselves?!  My movie would take me back to the 1920s, except, it would look quite different.  It would still take place in Paris but some other faces from that era would have monumental roles in this film. It would also have a foot in America, specifically in Harlem, New York. Josephine Baker, who has a non-speaking role in Midnight in Paris, would be my tour guide, showing me around the city and introducing me to other important people of the Harlem Renaissance.  I would have tea on a terrace with James Baldwin, swap stories of recent travels abroad with Zora Neale Hurston, and explore Europe via rail with Richard Wright.  Langston Hughes and I would have a close relationship as he would become my next door neighbor.  I would occasionally visit Romare Bearden's studio, getting a first glance as his latest work.  I would be embraced in a world where my blackness and my artistry is well-defined and appreciated, though different than the norm.

I hope to one day experience what Gil had in Paris.  I wouldn't need a romance for I would be fulfilled through my work.  I just want the chance to be all of "me" rather than be pieces of me only sometimes.

"Jeunesse" by Palmer Hayden (date unknown)
***BTW, I'm happy to mention that two of the shorts mentioned in my blog post won Academy Awards in their respective categories!  The Shore won for Best Live Action Short and The Fantastic Flying Books of Mr. Morris Lessmore for Best Animated Short.  Congratulations to this year's winners!

Tuesday, February 21, 2012

A Call to Action, Part One: Support Independent Filmmaking!

This weekend, I had the pleasure of attending screenings of the Oscar-nominated Live Action and Animated Shorts at Amherst Cinema.  A HUGE independent film fanatic, I love going to art houses to view the latest trends in independent art making.

Here's trailers for my favorite shorts from the 2012 Oscar nominees' list:
1.  Pentecost (Live Action), Peter McDonald, dir., Ireland

2.  The Shore (Live Action), Terry George, dir., Northern Ireland (many of you may recognize the lead actor, Ciaran Hinds from the HBO series Rome).

3.  Time Freak (Live Action), Andrew Bowler, dir., USA (this one was my absolute favorite)

4.  The Fantastic Flying Books of Mr. Morris Lessmore (Animated), William Joyce & Brandon Oldenburg, directors, USA (this is the entire film.  I loved this one, and actually cried at the end)


Unlike most movie-going experiences, I was (gladly) forced to stick around to watch the credits following every film, as each short was showed in succession of one another.  Reading the credits brought me so much joy and intrigue.  I was able to appreciate the "hustle" that it takes to create films with little to no budget.  I also realized the differences between art-making in the US and other countries.  In Canada and countries in the UK, independent films receive government subsidies towards completing the project.  In the United States...well, I hope that we are all aware of the state of funding "anything" here.  Its next to impossible to receive funding for organizational survival, let alone creating something that challenges artistic integrity.

For those who are interested in supporting the livelihood of your fellow neighbors (artists who need to put food on their table and pay their utilities), I suggest you check out your local art house.  To find your local art house, visit Independent Lens' website (Independent Lens is a series that regularly airs on PBS.

The Independent Spirit Awards is coming up.  If you're interested in finding out more on independent filmmaking, please check it out.  The awards show is airing on IFC on Saturday, February 25.  This awards ceremony is uncensored, so I'm betting that all viewers will have a great time watching it!  This year's festivities will be hosted by Seth Rogan.  To find out if IFC is provided by your cable or satellite provider, please visit their respective websites.  I have DirecTV and am proud to say that I get BOTH IFC and The Sundance Channel.  Both channels show independently produced films and television series.

In a couple of days, I'll be posting my list of favorite independent films.  You'll probably be surprised as to which films make the list, as many of them do not come across as independently-produced projects.  Also, I'll be posting information on the current state of arts funding in the United States and the importance of celebrating non-commercial art-making at some point this week as well.

If you live in Western Massachusetts, specifically near Amherst or Northampton, I highly recommend you see one of the screenings this week of either the Live Action, Animated, or Documentary Shorts before the Academy Awards airing Sunday, February 25 at 5:30 p.m. PST/8:30 p.m. EST on ABC. I think that we'll all pay attention to the brief, ackwardly set-aside moments when the winners of these categories are giving their speeches, as I believe they deserve more time than they are granted for they are truly the best "hustlers" out there.